Sunday, 19 July 2020

Review - Nevernight

Nevernight
Title: Nevernight
Series: Nevernight Chronicle (Goodreads)
Publisher: Harper Voyager
Genre: Fantasy

Author: Jay Kristoff   
Age Group: Adult
Source: Received as a gift

Review 

This is my first time reading a Jay Kristoff book and for a while I put off reading it because I was unsure about other reviewers concerns for trigger issues and whether I would be comfortable reading Nevernight because of this. However, in the end I decided I would in fact read this book and was so glad I did because it was absolutely amazing. Yes, there are difficult themes and issues but I personally felt they were handled safely, respectfully, and considerately by the author. This is in no way a young adult book, though there are a number of mature young adults that have read it, but notably Nevernight is classed as an adult fantasy. If you are considering reading this book then do, you will not be disappointed, but you need to be aware that there are some themes and issues that might trigger some readers more than others. Key trigger warnings are the discussion of child slavery and rape. Other triggers to note are scenes involving sex, crude language and violence. As I already said this is an adult book but there are some young adults, such as 18 year olds, that may choose to read this and I think it only right that they are aware of some difficult issues that may arise without giving in-depth spoilers.

At first, reading Nevernight I was left feeling rather jarred by the way the narrator speaks and felt rather unsure of whether this books narration would work for me. But I did not let it stop me from reading and even though I was initially unsure I actually grew to enjoy the books form of narration. Mr Kristoff is a fantastic writer because even though readers might come into the book unsure of his chosen narrative tone they mostly leave having enjoyed the book and this is because of the strength of his character development and exciting world building. The opening chapter was so clever and in its own way beautiful because of Mr Kristoff’s chosen language and descriptions. Without giving too much away the opening chapter begins with us meeting Mia, the protagonist, as she takes part in two actions one involving sex and the other involving a murder. Though these actions do not take place at the same time they are introduced together because the language used to describe them is almost the same, because some phrases are used to describe both, and I actually really enjoyed how Kristoff cleverly brought these scenes together. Below is an extract from the simultaneous scenes which I believe encompass some of the cleverness and strength of Kristoff’s writing abilities (please be aware that the first is alluding to sexual scenes and the other to an assassins murder):

Was this the way it should feel? Was this the way it should be? [...] And she’d known the first was usually the worst. She’d thought herself ready; soft enough, wet enough, wanting enough. That everything the other street girls had said between the giggles and the knowing glances wouldn’t be true for her. 'Close your eyes,' they’d counselled. 'It’ll be over soon enough.'

Is this the way it should feel? Is this the way it should be? […] And she knew the first was usually the worst. She’d thought she wasn’t ready; not strong enough, not cold enough, that Old Mercurio’s reassurances wouldn’t be true for her. 'Remember to breathe,' he’d counselled. 'It’ll be over soon enough.'

I really loved Nevernight's protagonist Mia Corvere she is most definitely an anti-heroine but one who you cannot help but love and become heavily invested in her journey to seeking revenge for her wronged family. I always love a book that has a strong female protagonist and Mia certainly does not disappoint in this respect. Not only can she wield a blade and kill as assassin’s are known to do but she also wields a filthy mouth, and honestly some of her language will leave you open-mouthed in astonishment. Though most people don’t use such crude and violent language it is not inconceivable that women would be afraid to speak it either, in most cases used in emotional distress or anger, and for that reason I respect Mia because she is not a mollycoddled young lady but one who is openly expressive and unapologetic. Below is an extract of dialogue which I think exhibits some of Mia’s unapologetic speech and attitude (caution! there is some crude language): 

'You know, I’ve never understood that. How being named for a woman’s nethers is somehow more grievous than any other insult. Seems to me calling someone after a man’s privates is worse. I mean, what do you picture when you hear a fellow called a cock?' […] 'You imagine an oaf, don’t you?' […] An exhalation of clove-sweet grey into the air between them. 'Cock is just another word for "fool." But you call someone a c–t, well…' The girl smiled.

The most endearing relationship for me was between Mia and Mr Kindly, if you are to learn one thing it’s that Kristoff loves some irony. Many of Mia and Mr Kindly’s interactions left me entertained most than some of the other characters interactions. What I loved most was their shared sarcasm and dry wit as well as their to-and-fro jibes at one another, that hinted at a subtle underlying love and respect for one another. Their relationship for me was definitely the strongest element of this book. Thus, I leave you with a short and sweet dialogue between Mia and Mr Kindly (though I have saved you the best for when you read the book):

'…bravo…' Mister Kindly had said. '…if only i had hands to applaud…' Mia smacked her backside. 'I’d settle for lips to kiss my sweet behind.' '…i would have to find it first…' 'Arses are like wine, Mister Kindly. Better too little than too much.' '…a beauty and a philosopher. be still, my beating heart…'

Synopsis (Goodreads)

Mia Corvere is only ten years old when she is given her first lesson in death.

Destined to destroy empires, the child raised in shadows made a promise on the day she lost everything: to avenge herself on those that shattered her world.

But the chance to strike against such powerful enemies will be fleeting, and Mia must become a weapon without equal. Before she seeks vengeance, she must seek training among the infamous assassins of the Red Church of Itreya.

Inside the Church's halls, Mia must prove herself against the deadliest of opponents and survive the tutelage of murderers, liars and daemons at the heart of a murder cult.

The Church is no ordinary school. But Mia is no ordinary student.

The Red Church is no ordinary school, but Mia is no ordinary student.

The shadows love her.

And they drink her fear.

Key Quotes

'Truth is, there’s no difference between your nethers and mine. Aside from the obvious, of course. But one doesn’t carry any more weight than the other. Why should what’s between my legs be considered any smarter or stupider, any worse or better? It’s all just meat, Don Tric. In the end, it’s all just food for worms...'
'Your mind will serve you better than any trinket under the suns,' she’d said. 'It is a weapon, Mia. And like any weapon, you need practice to be any good at wielding it.' 'But mother—'No, Mia Corvere. Beauty you’re born with, but brains you earn.'
'Why did you attack us?' 'If Naev had attacked her, the sands would be redder. Naev asked why they followed her. And now Naev knows. Naev wonders at the girl’s skill. And now Naev sees.' The veiled woman looked back and forth between them, made a slurping sound. 'Sees a pair of fools.' […] 'Who are you calling fool, shorty?' The woman glanced in his direction. 'The boy whose throat Naev could have cut.
“…Sometimes weakness is a weapon. If you’re smart enough to use it.” 

'I think it’s time to recruit the most dangerous man in these halls,' she said. Tric looked back up to the Hall of Songs, the Shahiid they’d just fled from. “I thought we just ran away from the most dangerous man in these halls.” Mia tried to smile. Settled for shaking her head. 'You’ve obviously not spent enough time with librarians, Don Tric.'

Similar reads


Game of Thrones, Throne of Glass, Six of Crows, Red Sister, The Shadowdance Trilogy, The Priory of the Orange Tree, Aurora Rising, Ninth House, Wicked Saints, Vicious.

Afterthoughts

I actually really enjoyed the additional footnotes and felt they helped with the world building for the book. It maybe didn't phase me as much as some readers because I am so used to reading footnotes for classical books I studied in school.

Mia is a very strong protagonist and very complex, for me books that contain complex characters are always more enjoyable because you have to work at understanding the protagonist and other characters.

Other characters that I enjoyed in this book were the supporting Naev and Chronicler Aelius.

Have you read this book, if so what did you think? I'd love to hear your thoughts!

If you haven't yet read this book or series do you think you will consider reading it? I hope I have potentially convinced a few of reading this series if they haven't already, and if you do I'd love to hear your thoughts.

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