If
you are a fan of Leigh Bardugo’s Shadow and Bone trilogy as well as her Six
of Crows duology then this collection of short stories is a must read. The
Language of Thorns contains six short stories that characters in the Grishaverse
themselves would have grown up with. These are dark and twisted tales that
leave the reader wanting more. Though there are some happy endings, not a
single one is a ‘happily ever after’. Bardugo leaves readers unnerved and satisfied
equally, with her version of a twisted ‘happy’ ending. Each of the short
stories is also influenced by other classic fairy tales and books, some more familiar
than others. Though there are elements of retelling's of these classic fairy
tales The Language of Thorns remains exciting and refreshing. You need not
have read Bardugo’s other books set in the Grishaverse world as these short stories
can be read as a standalone too. What really bring all these stories to life is
the artwork included on each page which changes and grows at the same pace as
the written stories. The artwork brings the stories to life and makes the
collection immersive and beautiful, alongside the talented words of Leigh
Bardugo.
|
Sara Kipin, illustrations |
Ayama
and the thorn woodI
really enjoyed the first book in this collection. Part of the fun for this story,
as well as for all the others too, was figuring out which classic fairy tales
and books had influenced each retelling. I wont share all of the influences but
the most obvious one was Beauty and the Beast. In Ayama and the thorn
wood a young wolfish prince is born and as he grows older is hidden away only
to escape and terrorise the kingdom. But a young courageous yet physically unattractive
young woman is sent to negotiate with the beast. Will she be devoured or free
the kingdom?
‘Coyotes
surrounded the palace, howling and clawing at the walls, and tore the
insides from a guard who had been sent to chase them away. Their frenzied
baying hid the screams of the queen as she looked upon the creature that had
slipped squalling from her womb. This little prince was shaped a bit like a boy
but more like a wolf, his body covered in slick black fur from crown to clawed
foot. His eyes were red as blood, and the nubs of two budding horns protruded
from his head.’
There
is one character other than Ayama that stood out for me in this story and that
was the underestimated grandmother Ma Zil. I love this quote that at first
might seem harsh and uncaring actually becomes the wisest and important by the
end of the story:
‘Ayama’s brows still creased with worry, so
her grandmother said, “Come now, Ayama. You know how the stories go.
Interesting things only happen to pretty girls; you will be home by sunset.”
Do
only interesting things happen to the prettiest girls, or the ones who get
their feet a little muddy?
The too-clever fox
I
also enjoyed this story too but did find the ending rather predictable. The obvious
influence for this story was Little Red Riding Hood, the animals in The
too-clever fox are hunted down and begin to disappear mysteriously one at a
time. As with many of the stories in this collection do not underestimate a single
woman! The too-clever fox in this story is named Koja and even though he is
wily and cunning this is what leads to his downfall.
‘A lesser creature might
have let his grief get the better of him. He might have taken to
the hills and high places, thinking it wise to outrun death rather than try
to outsmart it.’
Does being clever mean outsmarting a hunter, or falling prey to their smarter charms?
The witch of Duva
‘There
was a time when the woods near Duva ate girls.’
I
neither liked nor disliked this story in the collection but for me it just didn’t
stand out from some of the stronger ones. The witch of Duva is influenced by Hansel
and Gretel and unlike some of the others sticks quite closely to the fairy tale
of which it is influenced by. However, don’t be deceived just as all the
stories in this collection the character and endings are never what they seem.
‘She
lifted her spoon, but still she hesitated. She knew from stories that you must
not eat at a witch’s table. But in the end, she could not resist.’
Who can resist the call of sugar in the deep dark woods?
Little
Knife
This
was one of the weaker stories in the collection for me, it wasn’t terrible, it
just didn’t give me the same enjoyment as some of the others did. It was also
the trickiest one to figure out the retelling influence for and had me confused
for quite some time. I eventually had to look it up on the Grishaverse website because
I could not figure it out with a little help.
Like
many stories in this collection there is a beautiful girl and in Little Knife there
are hundreds of desperate suitors to win her hand in marriage. There are three
tasks given to all of the suitors when the girls father deems one man unsuitable
for her daughters hand in marriage but who keeps passing the tests.
‘…remember
that to use a thing is not to own it. And should you ever take a bride, listen
closely to her questions.’
Would you rather a prince or a pauper, or the freedom from any man?
The
soldier prince
I
wasn’t too sure what to make of this story, I can’t say that I really enjoyed
it but I certainly didn’t dislike it. I was definitely conflicted about my
feelings after reading this short story. The soldier prince is most obviously
influenced by The Nutcracker with the main character of this short story
being the actual nutcracker himself. There is plenty of magic in this story and
I certainly enjoyed reading from the perspective of the nutcracker and as a standalone
short story I think I would have enjoyed it more. However, as a story in this twisted
collection it just didn’t stand out and was one of the weaker ones for me.
“...Wanting
is why people get up in the morning. It gives them something to dream of at
night. The more I wanted, the more I became like them, the more real I became.”
“I am perfectly real,” protested the nutcracker. The Rat King looked at him sadly.’
Do you show kindness to your toys by the magical chance they just might be watching and waiting to whisk you away?
When
water sang fire
This
is by far the longest story in the whole collection and the one that hides an
incredible easter egg for the readers of Shadow and Bone. This story is influenced
by The Little Mermaid and for me the most connected to the Grishaverse
world. I enjoyed this story and the friendship between Ulla and Signy showing that
with the power they possessed they became their own individual and joint
threat. The youngest prince of the sildroher, the term used instead of mermaid,
thinks to use the power of the girls for his own selfish gain, which leads to
the beginning of a dangerous and alluring visit to the human world.
Would
the power to sing free you or curse you?
‘In
those days, the sildroher did not cower beneath the waves, afraid of sailors
who might spy their smooth limbs and silver tails. […] Now their laws are
different. They know the land is a place of danger. Yet they still long for the
taste of mortal life. That is the problem with making a thing forbidden. It
does nothing but build an ache in the heart.’
|
Sara Kipin, illustrations |
Love speaks in flowers. Truth requires thorns.
Travel to a world of dark bargains struck by moonlight, of haunted towns and hungry woods, of talking beasts and gingerbread golems, where a young mermaid's voice can summon deadly storms and where a river might do a lovestruck boy's bidding but only for a terrible price.
Inspired by myth, fairy tale, and folklore, #1 New York Times–bestselling author Leigh Bardugo has crafted a deliciously atmospheric collection of short stories filled with betrayals, revenge, sacrifice, and love.
Perfect for new readers and dedicated fans, these tales will transport you to lands both familiar and strange—to a fully realized world of dangerous magic that millions have visited through the novels of the Grishaverse.
This collection of six stories includes three brand-new tales, all of them lavishly illustrated with art that changes with each turn of the page, culminating in six stunning full-spread illustrations as rich in detail as the stories themselves.